8/09/2005

Preserve Your Memories

Butch: What happened to the old bank? It was beautiful.
Guard: People kept robbing it.
Butch: Small price to pay for beauty.

There's an often overlooked scene in Butch Cassidy and the Sundance Kid - where a local political candidate is try to gather a crowd. Once he does - and the poeple are bored - a salesman takes over and introduces the crowd to the latest technology: a bicycle.

There are still bicycles but I'm seeing more and more of those gyroscopic stand as you travel gizmos (ferget the name of that contraption).

"Dixons, the UK's leading high street retailer of consumer technology, today announces that it will no longer sell 35mm film-based cameras." - Dpreview (Today)

It's true. We're living in on of those "cusp of technology" edges. The new always usurps the old. Whether the new product is better or worse - it usually wins.

Of course - those sticking with the old may grow poor while they're around this paradise - but in fifty years - those "old things" become priceless. Rarities.

Early century bicycle in mint condition: $150,000.

Something physical and sometimes beautiful - from the past. That old Remington typewriter. Your old comic books. How about that old bankbook that was stamped by a machine as you made withdrawals or deposits. That stupid machine once made a big error, adding a bunch of zeros to my balance. I was ten years old. I was debating for several weeks whether I could take say, $1000 from the bank. Would they know I only had ten dollars?

Finally, not wanting to be greedy, I wrote out a withdrawal slip for $50. The old woman behind the gate took one look at my passbook and said, "Oh dear. That's one of those where the bank made an error..."

Crestfallen. About $10,000 poorer.

We toss away the old to make room for the new - and then - when we can't find the "old" we pay large fees just to have one around us again.

More Equipment Notes

Ordered a few items from CameraQuest.com

- Lens hood for the 40 f1.4 (B&H didn't have any
- Soft shutter release (I had read about this little gizmo a while back) but it wasn't until I tried it on Matt's camera that I saw the potential
- RapidWinder ($150) - comes with a built-in grip as well which I'm sorely missing (mechanical)

I've been matting and packaging most of the day so I haven't had time to do any more shooting but will tonight. (I'm going to shoot with Tmax at 800 and do some more testing).

(Other notes:) got some banding with the 4800 for first time. One cleaning. Problem gone.

AG finished the text for The 11th Man. Now the ball is in my court. I turned down two jobs because I'm trying to stay focused with what I want to finish by end of summer:

1) Get the damned book put together
2) Offer some of Matt's prints from my site
3) Raise print prices
4) Add another ten prints to the site

Of less importance - take some good photographs.

More tests

dave beckerman photography

Not a completely fair test since it wasn't on a tripod with cable release, but if you look under the "Newport pleasure" I put a black box. Below is a crop from that at full resolution:

dave beckerman photography

Shot at f4 with the R2A and Bessa 40 f1.4

Film: TMAX 400. Developed in TMAX Developer.

The cab below was shot at f1.4 with the Bessa lens:

dave beckerman photography

dave beckerman photography

Not too shoddy for an informal handheld test at f1.4 / 250th sec. (as I remember it). One other point - the negatives actually look sharper viewed with my loupe on a lightbox, which is to say that they do need some sharpening after the scan. These got "very little sharpening" - just enough for the web - not for printing. One other point, the box on the left side of the cab by the edge of the car is as sharp as anything off to the right, which is also a good sign.