Night Cab

Did a roll (which this is from) of Delta 3200 @ 1600 ASA in DD-X. This is probably the most contrasty shot. Not bad. I need to see how I like the grain (which is pronounced) in a print. I think it's a little accentuated here by sharpening... But here's the nice thing - same time and temp. as Tri-X 400 which is nice for us forgetful types.

One other thing: the thin / thick gaps between negatives with the R2A - not the fault of the R2A but of the Rapidwinder. So I'm going to keep the R2A. Fini.

Union Square Subway

Man With Monkey

One of the things about NYC that you often hear from actors, writers, etc. is that there is an energy here that gets you going. I think that's true. How many times I've walked out of the house with the camera - not really feeling like doing anything but getting to where I'm going - and you just see things that amaze you.

Maybe it's like that in other cities. I don't know. But I'm not sure I could shoot well anywhere else.

(Man with Monkey, 1995)