It's funny you should say that about Kodak. They put out a magazine that goes to photographers (I forget the name), and every few months a different Kodak person calls to ask if I'm using some particular film or chemical and I tell them what I'm using and they don't get back to me.
I've had three calls from them about this and they've all evaporated so far.
FYI Dave - there is an insurance company running a TV campaign that closes w/a rip-off of your DUMBO shot. Same framing of the ESB in the Manhattan Bridge and everything.
Wasn't sure where to post this so figured here was as good a place as any...
There's only one fairly logical place to stand if you want to shoot the bridge. The street goes uphill so that you can get a little bit more even with the bridge.
6 comments:
You have some nice work here. With your love of experimentation, you should be working for Kodak.
I just bought a digital Nikon D70S for work, but I still think 35mm film takes the cake.
It's funny you should say that about Kodak. They put out a magazine that goes to photographers (I forget the name), and every few months a different Kodak person calls to ask if I'm using some particular film or chemical and I tell them what I'm using and they don't get back to me.
I've had three calls from them about this and they've all evaporated so far.
I like all of them, taxi most, which is amazing since I usually ignore photoshopped images...
You should be getting big bucks for doing this stuff
for some big company...
Then it wouldn't be fun, but being solvent is...
FYI Dave - there is an insurance company running a TV campaign that closes w/a rip-off of your DUMBO shot. Same framing of the ESB in the Manhattan Bridge and everything.
Wasn't sure where to post this so figured here was as good a place as any...
There's only one fairly logical place to stand if you want to shoot the bridge. The street goes uphill so that you can get a little bit more even with the bridge.
Till I, Kodak, cash sack ado: kill it.
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