8/11/2005

Eye Patch

dave beckerman photography
I've been standing on the corner of 2nd and 83rd photographing passersby, or high contrast scenes - experimenting again with the film. This fellow was unloading produce for a nearby Italian restaurant and agreed to let me photograph him and yes - the experiments are over.

This was with TMY @ 300 ASA; 5 minutes @ 75F with TMAX developer (1:4) Hopefully that will be my new "standard." It seems to work fine in bright sunlight/shadow and, so long as I expose for shadow areas - works well in flatter scenes. This is from a straight neg. scan without any adjustments. More to follow...

blogger spam

So since I started using the blogger comments, I'm beginning to get automated spam for the usual crap in the comments. I may have to turn on the "login" if you want to comment - or else go back to haloscan if this continues. So far I'm just getting one or two a day which I've been manually deleting.

I'll have to see if their are any other settings that can control this automated junk.

Development / Film

As I mentioned in previous post - I'm leaning towards TMY again. I shot with it a lot in the past - and somewhere along the line switched to HP5 in HC110B. Possibly my tastes have changed since then - but the TMY seems to be a bit smoother. Anyway - right now I'm using TMY @ 400 ASA - in TMAX developer 1:4 at recommended times. But I'm going to experiment with a bit of underdevelopment and making sure I'm still picking up shadow detail. I might take it down about 20%, i.e. the highlights in bright contrasty scenes are still a bit high for my taste. But after a couple of days of experimenting - I'm pretty close.

8/10/2005

Cup, Manual & Hangers

dave beckerman photography

Out of Time

dave beckerman photography
I'm getting a better feel for the rangefinder. Basically, I've just been standing on my corner and taking practice shots. Some of it is to get the feel of the camera, the other is that I'm still fooling around with different film / dev. combinations. For some reason I've been leaning back to TMY. But I couldn't offer any explanation. (This is a pretty serious crop - maybe 1/2 the frame).

Notes Found

Sort of exciting (only to me). I had been keeping notes in a hardcover journal about various developing times / temps / combinations. I've been hunting for it since I went back to film and finally found it this morning.

This morning I went out and shot two more rolls of HP5 - this time in various lighting conditions from bright sunlight with shadows, to pure shadow.

Now I've got one more decision - which freakin' wider angle lens (about 28mm) to get from Voigtlander. I think there are MTF charts on the Cosina site (Japanese only). I'll try and find them later.

Almost got into a little scrape with the new pizza guy when I took a shot of his store... Oh my God - what do they think I'm after? I walked in and spoke with him for about five minutes - explaining that I was interested in the reflection in the window... No dice. No smile. Totally grim faced was he.

I finally noticed the Yankee cap on his head.

Are you a Yankee fan?

He takes off his hat and looks at it. No smile. Just suspicion.

-Why you ask that?

Yes sir. I'm working undercover for the Mets. My real mission: photograph Yankee fans and turn the photographs over to the Committee on Baseball Hats.

So with no progress made - I walked out and continued on my merry way. I think I should have some cards made: The holder of this card has been authorized to photograph anybody at anytime. Signed, The Global Photography Committee. Dave Beckerman is further authorized to use either film or digital as he sees fit. He is an officer, grade 7.04 - in the GPC.

8/09/2005

Preserve Your Memories

Butch: What happened to the old bank? It was beautiful.
Guard: People kept robbing it.
Butch: Small price to pay for beauty.

There's an often overlooked scene in Butch Cassidy and the Sundance Kid - where a local political candidate is try to gather a crowd. Once he does - and the poeple are bored - a salesman takes over and introduces the crowd to the latest technology: a bicycle.

There are still bicycles but I'm seeing more and more of those gyroscopic stand as you travel gizmos (ferget the name of that contraption).

"Dixons, the UK's leading high street retailer of consumer technology, today announces that it will no longer sell 35mm film-based cameras." - Dpreview (Today)

It's true. We're living in on of those "cusp of technology" edges. The new always usurps the old. Whether the new product is better or worse - it usually wins.

Of course - those sticking with the old may grow poor while they're around this paradise - but in fifty years - those "old things" become priceless. Rarities.

Early century bicycle in mint condition: $150,000.

Something physical and sometimes beautiful - from the past. That old Remington typewriter. Your old comic books. How about that old bankbook that was stamped by a machine as you made withdrawals or deposits. That stupid machine once made a big error, adding a bunch of zeros to my balance. I was ten years old. I was debating for several weeks whether I could take say, $1000 from the bank. Would they know I only had ten dollars?

Finally, not wanting to be greedy, I wrote out a withdrawal slip for $50. The old woman behind the gate took one look at my passbook and said, "Oh dear. That's one of those where the bank made an error..."

Crestfallen. About $10,000 poorer.

We toss away the old to make room for the new - and then - when we can't find the "old" we pay large fees just to have one around us again.

More Equipment Notes

Ordered a few items from CameraQuest.com

- Lens hood for the 40 f1.4 (B&H didn't have any
- Soft shutter release (I had read about this little gizmo a while back) but it wasn't until I tried it on Matt's camera that I saw the potential
- RapidWinder ($150) - comes with a built-in grip as well which I'm sorely missing (mechanical)

I've been matting and packaging most of the day so I haven't had time to do any more shooting but will tonight. (I'm going to shoot with Tmax at 800 and do some more testing).

(Other notes:) got some banding with the 4800 for first time. One cleaning. Problem gone.

AG finished the text for The 11th Man. Now the ball is in my court. I turned down two jobs because I'm trying to stay focused with what I want to finish by end of summer:

1) Get the damned book put together
2) Offer some of Matt's prints from my site
3) Raise print prices
4) Add another ten prints to the site

Of less importance - take some good photographs.

More tests

dave beckerman photography

Not a completely fair test since it wasn't on a tripod with cable release, but if you look under the "Newport pleasure" I put a black box. Below is a crop from that at full resolution:

dave beckerman photography

Shot at f4 with the R2A and Bessa 40 f1.4

Film: TMAX 400. Developed in TMAX Developer.

The cab below was shot at f1.4 with the Bessa lens:

dave beckerman photography

dave beckerman photography

Not too shoddy for an informal handheld test at f1.4 / 250th sec. (as I remember it). One other point - the negatives actually look sharper viewed with my loupe on a lightbox, which is to say that they do need some sharpening after the scan. These got "very little sharpening" - just enough for the web - not for printing. One other point, the box on the left side of the cab by the edge of the car is as sharp as anything off to the right, which is also a good sign.

8/08/2005

nokton 40mm f1.4

Just did an interesting test: shot half a roll of some test material with the R2A with the bessa 40 mm f1.4 (at f1.4) 2 - and then rewound the film, stuck it in Matt's m6 with the Leica 35 f1.4 , did ten more shots of the same test material, then put the bessa 40mm on the Leica and shot the same stuff with it. All one roll. Same processing. Tmax 400 / tmax developer.

The subjective feel of the two cameras is different. Of course Matt had a winder and a hand grip; but besides that the focusing knob was a bit bigger, and the lens was smoother to focus (though that might just be because the 40mm is new and still stiff); but it also seemed like it was a touch easier to focus with the M6 - though I'm not exactly sure why.

But with the right accesories - I'm sure that I would be very happy with the R2A (though as Markus notes, I should look at the R3A as well). It's mostly the lens quality I'm interested in comparing right now.

****

Honestly - as Matt suspected, I couldn't really see a difference in resolving power between the Leica and the Voigtlander lens - wide open. In fact, the biggest difference in real life is probably how good your focus is when shooting wide open. There were some shots from the Leica lens that looked tack sharp, and some from the Bessa that looked right on. When either was focused properly - there is no difference.

I did two prints, one with each lens of the same subject from the same place. Both lenses go beyond what the grain of the film can manage. The Leica lens print was more contrasty - but that's about it.

So it's a keeper.

8/07/2005

Pojo Kneeling

dave beckerman photography
As I was walking around (at night) shooting the second roll with the R2A - looking for places to use the 40mm at f1.4 - this plastered guy who was standing nearby approached speaking a language I couldn't understand - though somehow he made it known that he wanted me to take his picture and that he had a specific pose in mind - this one.

He made various flourishes - such as you might make to a King - and then kneeled. Possibly this had something to do with being presented to the Queen of England.

Afterwards - he thanked me - again in an unknown tongue - bowing and scraping and sometimes sputtering "thank you."

[Most of my time is going into getting my development times right - and I'm still futzing with various developers. This was in TMAX. You know, the appearance / sharpness etc. of the film grain is different with different developers. ]

dave beckerman photography
Untouched crop. F1.4, 1/30 sec. Light was from the storefront that was behind me.

It's a bit soft - though certainly printable. It is also not a fair test - or at least not a scientifc test - since it was a fairly slow shutter speed, was pretty dark, and who knows if my focus was 100% on target.

I went out this morning and shot another roll - all at f5.6 which should be pretty close to the meat of the lens - and all of shots that had very small lettering somewhere that I focused on. Things that I know from experience that with the Hexar or the M lenses should be readable with a 16x loupe.

And of course I've made one of the oldest scientific mistakes - using several different developers - which effect appearance of sharpness. For this last roll with the tiny lettering, I went back to my old HC110B formula. News at 5.

Bessa R2a

I just returned the Elan 7n and sold the 20D.

I looked at the Bessa R2A at B&H. Then I bought one. The model I got had some sort of stuck advance lever.

I returned it and got another one.

Shot one roll on the way home.

As soon as I looked through the viewfinder of the demo, I knew I wanted it. Got it with the 40 f1.4 multi-coated lens (I read the article on CameraQuest but was unimpressed with the big deal about single coated lenses).

YES! IT IS LOUDER than a Leica M6.

But it ain't terrible.

After a few minutes with it on the street - Herald Square - I felt very much at home with it, and I like having Ap. Priority. The camera opens on the back, like a semi-modern camera, with a crank you pull up to release the door. And there's even (gasp) aperture Lock.

Well - to put it in "emotional' terms - it does feel a bit like returning home after a long absence.