9/07/2005

Motorcycle Stop

dave beckerman photography
Just a couple of notes (Richo was helpful with this) - but it seems that in low-light situations, whether you're using a fast film or not - I think the exposure needs to be bumped up. I don't think this is because of the reciprocity factor - but it appears to me that several films which I used at rated speed at night were undexposed for the shadows. The same films, shot and developed the same way in daylight were just fine.

So the next time I'm shooting Delta 3200, I would probably rate it @ 1200 or @1000 for night stuff and use development times for ASA 1600.

As far as this photograph goes - I don't know anymore about it than you do and didn't wait around to find out. A quick shot as I was about to cross 86th street.

Woman with Packages

dave beckerman photography

9/06/2005

Blog Gallery

The Blog Gallery - she's been updated. One-hundred and seventy-one images. Many not in the blog. I'm taking the rest of the day off. Blog will have to survive on its own for a while.

9/05/2005

Night Cab

dave beckerman photography
Did a roll (which this is from) of Delta 3200 @ 1600 ASA in DD-X. This is probably the most contrasty shot. Not bad. I need to see how I like the grain (which is pronounced) in a print. I think it's a little accentuated here by sharpening... But here's the nice thing - same time and temp. as Tri-X 400 which is nice for us forgetful types.

One other thing: the thin / thick gaps between negatives with the R2A - not the fault of the R2A but of the Rapidwinder. So I'm going to keep the R2A. Fini.

Union Square Subway

dave beckerman photography

Man With Monkey

dave beckerman photography
One of the things about NYC that you often hear from actors, writers, etc. is that there is an energy here that gets you going. I think that's true. How many times I've walked out of the house with the camera - not really feeling like doing anything but getting to where I'm going - and you just see things that amaze you.

Maybe it's like that in other cities. I don't know. But I'm not sure I could shoot well anywhere else.

(Man with Monkey, 1995)

9/04/2005

The Fountain

dave beckerman photography
Coin fountain, American Wing - Metropolitan Museum of Art

The photoblog is a kind of anti-darkroom. It trivializes everything. Because you are, after all, just a small newspaper. And you know what newspapers are used for.

But the photoblog does take on a life of its own. Feed me! Feed me! It devours images. Like the plant in Little Shop of Horrors. It always wants more.

But what is it - really? Marketing device? Grown-up "show and tell." Community networking? Desire to become known, or admired, or hated?

To answer that - I have to go back about six or seven years when I started the "journal" on line. My original idea was that it would be interesting for people to read - day by day - what the photography process was like for one photographer. But I also realized, from day one, that if you didn't have something to keep people coming back - they'd look at a couple of pictures and you'd never see them again because you just can't keep posting new pictures fast enough but you can make up or write something everyday. How interesting it will be - that's the challenge.

I had always kept a journal anyway - so this would be the same, just doing it online.

No. No. No.

It didn't work out that way because I ran out of things to say about photography (like now) so I just started writing about anything. I wrote poems. Dreams. Made up short pieces of fiction. Because I could write about anything that didn't involve anyone else who might be embarrassed by what I wrote. Not to mention that I can't even write everything about myself without being embarrassed. I did try though. I think the low-point might have been when I told that I wear a partial bridge - four front teeth - and that I walked out of the house without it and got all the way onto the subway before I realized...

But where is the line. You walk a tightrope. What are the rules.

My mother died 17 years ago. Once a year I go with my father to visit her gravesite. We went a few days ago. I took pictures of her gravestone, and of my father standing near his own empty plot. He's 82 years old and well aware of his next stop. It's an important picture. But --

Where is the public / private line?

That's the difference between a public blog and a private journal.

The blogger is the tightrope walker. Ladies and Gentlemen - watch the photographer try to walk the tightrope. But there are many tightropes for him to traverse.

The line that can or can't be crossed in the blog.

Artistic wanderings. Some go nowhere. Others - very few - show results. Photography is mostly about botched attempts and misguided ideas. That's why they make the advance lever and rapid fire...

You publish your own newspaper column - but where has your editor gone?

It's all a tightrope. Below, if you look down, you'll see: commerical failure; self-doubt; mediocrity. The trick - don't look down.

Met. Skylight

dave beckerman photography
Tri-X, 800 ASA, 10 Minutes, 68F

Yes, this seems to work pretty well. Much better than Diafine worked for me. Grain is slightly increased as is contrast - but well within acceptable limits. All of the reflections are of the courtyard below.

Louisiana 1927

What has happened down here is the wind have changed
Clouds roll in from the north and it started to rain
Rained real hard and rained for a real long time
Six feet of water in the streets of evangeline

The river rose all day
The river rose all night
Some people got lost in the flood
Some people got away alright
The river have busted through cleard down to plaquemines
Six feet of water in the streets of evangelne

President coolidge came down in a railroad train
With a little fat man with a note-pad in his hand
The president say, little fat man isn’t it a shame what the river has
Done
To this poor crackers land.

Louisiana 1927 - Randy Newman (Good Old Boys Album)

9/03/2005

Tri-x Diafine

I didn't care for the results at all. I used distilled water. Followed directions (almost idiot proof). What I got was contrasty, and mostly underexposed although I was doing careful readings with a pocket meter. And I would probably have rated it at ASA 800. Just hellishly contrasty - though it could be salvaged to some extent in PS.

Next out: Push Tri-x with the Ilfotec DD-X. That's got to be way better than what I got from Diafine. Now - on the other hand - I know people love this Diafine w/ Tri-x and with HP5 etc.

They rate Diafine with HP5+ @ 800. Probably in the same ballpark as Tri-x pushed to 800.

Fortunately, nothing was ruined from last night - but the look is too muddy in the shadows - of which there are lots, though I have to say the highlights on some of the shots look great.

Looking for Shorty

dave beckerman photography
I first heard her as she was walking up 3rd avenue screaming something. One word. Then she stood on the corner of 86th and 3rd - continuing to shout the one word. I thought it was "Charlie."

After a few minutes I approached her and asked what she was yelling and she told me: Shorty.

Shorty was her dog and had run off. Her husband was going to kill her if she lost Shorty. I wished her luck and went on towards 2nd avenue.

When I arrived on 86th and 2nd, there was a man with a shopping cart that I remembered because he had the dog sleeping on top of bottles and such. Kristine arrived and said something to her husband and I realized that the dog in the shopping cart was "Shorty."

I said to her: So - you found your dog. I didn't mean anything by it but she took it the wrong way and began explaining that she really did think she had lost her dog. She didn't realize that her husband must have taken it.

She was looking at my camera and then told me something - something that caught me by surprise. "You know," she said, "I used to be a photographer too."

This seemed doubtful at best but I asked her what camera she used and without missing a beat she said: "Pentax. Pentax K-1000. What kinda film are you shooting?"

"Tri-X," I told her.

"Whadda'ya pushing it? Gonna be grainy, I bet."

I told her I was trying Diafine with Tri-x. Diafine she had not heard of. But she didn't comment that the Leica was a nice model. That she couldn't afford one but her girlfriend - all those years ago - used to run a camera store and always swore by Leica.

Anyway - her husband returned and they pushed off. I had taken one or two pictures of her which she was glad to do and given her a little money. As they were crossing 86th she turned and screamed back to me a phrase I've heard many times before: "Don't forget me! Don't forget me!"

9/02/2005

Diafine - Tri-x

One roll shot rated @ 1200 (Bill's suggestions). I hope this works out because I took some very special shots on the streets tonight. Mostly shooting at f2 1/60th (well actually the M3 doesn't have 1/60th - it has 1/50th).
* * *
As far as speed rating goes: The Diafine box lists TRI-X @ 1600 but TRI-X PROFESSIONAL (which is what I'm shooting) @ 1000 ASA.